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The words died on her tongue, as Elinor suddenly emerged from the portrait class door, her face radiant and with an exclamation of quick pleasure at the sight of them.,

"It would seem that you suspect Dido or my mother of having something to do with the matter," she remarked coldly.,

It was Dido who spoke first. She noticed that the eyes of her mistress constantly strayed in the direction of "Ashantee," and with the jealousy begotten of deep affection, she guessed that the girl's thoughts were fixed upon the much-hated Maurice. At once she spoke reproachfully, and in the grotesque negro dialect, which, however, coming from Dido's mouth, inspired no one with merriment.,

"I'm not really sick," she said, in a faint tone, as Patricia cuddled down on the floor beside her and took the chilly hand in her warm one. "I have one of my old headaches. I forgot to get any lunch. I had just put the key in my locker, when everything grew black and I'd have collapsed if Doris Leighton hadn't helped me to a chair. She gave me some milk and got my things for me, and when I felt well enough, she came over here with me. She's certainly the sweetest thing. She had to miss getting her criticism, too. Mr. Benton had just gone in when I crumpled up."

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"You have no proof of that.",

Patricia put her questions tremblingly, for she feared the stern, strange face of the boy in knickerbockers. She had seen him playing and shouting in the square on other days, and the change was so great that she felt death alone could have wrought it. But he answered evenly that 'Geraldine was just the same,' and was closing the door when Patricia stopped him. After a hasty parley, on his part, at first stubborn and then yielding, the door closed and Patricia, with beating heart, ran down the steps and hurried to the side of the house where the long windows of the drawing room protruded their iron balconies over the sidewalk.,

"Oh, I'll be through in time for the luncheon," said Elinor, hastily. "But if I'm not out here by eleven-fifteen, you'd better start without me. I can meet you somewhere, or you all can come over here for me.",

A heavy-shouldered dark man, whose workmanlike appearance was heightened by the torn and spotted linen apron he wore, came quietly over to Patricia, and, taking the wire from Miss Griffin's thin, nervous hands, silently and swiftly finished the work she had begun, while she, with a nod of acquiescence, went to her own stand and began to thump lumps of clay into shape about her own iron head-piece.